tag:blogger.com,1999:blog-2028913439060318539.post4577932690494494161..comments2024-02-19T00:17:33.059-08:00Comments on Heroes of 2000 A.D.: No. 109 Glenn Fabryalexfhttp://www.blogger.com/profile/00663695995150276878noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2028913439060318539.post-68240517884698426662018-04-20T00:20:59.117-07:002018-04-20T00:20:59.117-07:00Yes, he's quite right! half (more than half?) ...Yes, he's quite right! half (more than half?) of comics writing is setting the panel layouts and descriptions, and his work on the Killing Field is superb.<br />Haven't listened to Inky Fingers in a while, must catch up!alexfhttps://www.blogger.com/profile/00663695995150276878noreply@blogger.comtag:blogger.com,1999:blog-2028913439060318539.post-42056579651377700542018-04-19T10:38:56.166-07:002018-04-19T10:38:56.166-07:00It's difficult to write meaningfully about obv...It's difficult to write meaningfully about obviously great work - descriptive prose seems inadequate to the task and you just want to scream LOOK AT THE LOVELINESS! - but you do a fantastic job here, as usual.<br /><br />In 2014, Glenn Fabry told the Inky Fingers podcast that The Killing Field (582) should have been his first writing credit. Which makes sense when you look at it; what would the scene descriptions have been? A great example of visual storytelling:<br /><br />http://inkyfingerspodcast.blogspot.co.uk/2014/Jock Savagehttps://www.blogger.com/profile/12650909385018296433noreply@blogger.com