Part 1: the Writers
I don't know who created all these logos, but let's go ahead and credit: Jan Shepheard; Kevin O'Neill; Robin Smith; Steve Cook; Graham Rolfe; Pye Parr |
One of the great joys of 2000AD is the Future Shock. Sure, as often as not they fall short in the ‘shock’
department, and while that may be the point of them as a story item, it’s not
the whole point of them as thrills within the comic. These little slices of fun
fulfil multiple functions:
- Telling a self-contained story. In an anthology comic, that’s often a singular and precious thing.
- Exploring Sci-Fi concepts that aren’t covered in the longer stories.
- Being a testing ground for new writers and artists (and, to a lesser extent, new characters)
- Giving a glimmer of hope to wannabe writers and artists that they might have a slot in an actual mainstream comic.
- Giving the same wannabees the belief, occasionally, that they might be able to do a better job than the published examples.
- OK, I’ll concede that in an ideal world, a Future Shock should also provide a twist ending that you didn’t see coming, or at least some sort of punchline that elicits a wry grin. Over the entire history of the comic, I’d say this happens about 30-50% of the time. Probably much higher than that if you haven’t read much SF/genre fiction.
The Sci-Fi bit of this is the one that has the most freedom
to change. Hence, in his boundless wisdom, Tharg has adapted the name of his
one-off wonders to suit all sorts of stories.
For the sake of this
statistical exercise, I am considering:
Tharg’s Future Shocks
(of course)
Ro-Jaws’ Robo-Tales
(Future Shocks about robots)
Time Twisters
(Future Shocks about time travel)
Tharg’s Terror Tales
(Future Shocks with a horror vibe)
Tharg’s Dragon Tales
(Future Shocks about dragons. I think we can all see why this didn’t work.)
Tales from Beyond
Science (Future Shocks that push the weirdness and were narrated by a
tweedy Professor. Alan McKenzie’s intro to the collected edition is hilarious,
by the way.)
Vector 13 (Future
Shocks that could have been pitched as episodes of the X-Files. Also with a
very specific narration style. While the narration style was a bit verbose and
repetitive, this long-running series deserves more love.)
Pulp Sci-Fi
(Future Shocks with a deep space / far future type theme, and theoretically
less nedd for a twist ending)
Past Imperfect
(Future Shocks about a world where history happened a little differently from
our own)
Future Shorts (1
or 2 page Future Shocks; you know, like Future Shocks in the old days.)
Tharg’s Alien
Invasions (1 page Future Shocks about alien invasions.)
Tharg’s 3rillers
(Future Shocks with 3 episodes. This might feel like cheating, as they clearly
break rule number 1. However, a fair number of Future Shocks down the years
have broken the same rule, and since 3rillers so clearly fulfil rules 2-5, I
think they count.)
Tales of Telguuth
(Future Shocks set on a fantasy world of warlocks and warriors). These were
exclusively written by Steve Moore, so these maybe shouldn’t count. But they do
fit all the criteria set above, except for the writers bit (new artists, of
course, loved the series. Especially the more sword ‘n sorcery oriented inksmiths.)
Add a dash of Rian Hughes to the logo-creation credits, too |
Some moral equivalents were very 2000AD specific.
I’m also counting
these stories:
Tales from Mega-City 1
(Future Shocks set in the world of Mega-City 1). This covers a bunch of
one-offs from the Judge Dredd Megazine, too.
Judge Edwina’s Strange
Cases (Terror Tale-y Future Shocks set in the world of Mega-City 1)
Tales from the Black
Museum (narrated Terror Tale-y Future Shocks set in the world of Mega-City
1 that, for some reason, have been consistently excellent.)
Tales from the Dog
House (Future Shocks set in the world of Strontium Dog)
Whatever happened to…?
(Dreddworld follow-up stories for long-lost characters)
What if? (Alterative
tales from the wider world of 2000AD)
Things I’m not counting:
-there have also been many one, two, or three part stories
that ran under their own name, but are Future Shocks of one stripe or another.
Barney lists them under ‘One-offs’. I am
counting a lot of these (Hyper-Historic Headbang; Candy and the Catchman, Psi
Testers - to name some famous examples) Somewhat arbitrarily, I’m drawing the
line at stories trailed by Tharg and run as if they were exciting new series,
e.g. Go Machine and Tribal
Memories. Perhaps this is unfair. My blog, my rules.
A Terror Tale before its time. This one counts! |
This one counts, too. No extra points for alliteration. |
Under my inconsistent rules, this one doesn't count. |
Also not counted:
Droid Life – yes,
each episode it self contained, but it’s all the work of one man.
Bob Byrne’s Twisted
Tales – as above.
Downlode Tales - these could have been 'Future Shocks set in the world of Sinister/Dexter'. But they weren't. It was just what that strip was called for a while, for in-story reasons.
Downlode Tales - these could have been 'Future Shocks set in the world of Sinister/Dexter'. But they weren't. It was just what that strip was called for a while, for in-story reasons.
I’m also not including the Small Press slot from the Megazine of a few years ago. Mostly on
the grounds that very few contributors would have a count above 1, but also
because these stories were pointedly designed to be published elsewhere, and
came to the Megazine as a second run.
So, that out of the way, who has written the most Future
Shocks, then?
Readers will be entirely unsurprised to learn the surname. Moore. The first name depends
on whether or not it’s fair to count ‘Tales of Telguuth’ from a writing point
of view, since no other writer was involved (presumably a deliberate decision).
Anyway, since Steve Moore was the originator of the Future Shock, I think it’s
right and proper his name should be up top. I don’t think Alan would begrudge
him.
Art by Dave Kendall |
Here’s the full list of script-droids who have had 10 or
more one-off Future Shock-y type stories published, across the full range of
Progs, Megs, Annuals, Specials etc. With thanks, as ever to Barney.
The original Titan collection Art by Kevin O'Neill |
Steve Moore 69 (or 33, sans Telguuth)
Alan Moore 46
Alan Hebden 42
Peter Milligan 30
Gordon Rennie 25
Dan Abnett 24
Alan Grant 24
Arthur Wyatt 22
John Smith 21
Chris Lowder 20
Kek-W 20
Alec Worley 20
TC Eglington 19
David Baillie 19
Oleh Stepaniuk* 17
Al Ewing 16
Alan McKenzie 16
Kelvin Gosnell 16
Grant Morrison 16
The original Titan collection Art by Kevin O'Neill |
Hilary Robinson 16
Si Spurrier 16
Peter Hogan 14
Gary Rice 14
Eddie Robson 14
Mark Millar 13
John Tomlinson 12
John Wagner 11
Stewart Edwards 11
Nick Abadzis 10
Robbie Morrison 10
I should specify that each person gets a count of 1 for each
episode, regardless of length (there are plenty of 1-page Future Shocks out
there!). This does mean 3riller
writers get 3 for a single story, but you, know, they’ve earned it.
I have no commentary to add, save that I was surprised how
much the old and new are mixed in together. It seems people have and always
will have to write a lot of these bastard-hard stories if they want to become
tomorrow’s super stars!
More on Future Shocks:
There's a blog! It's very thorough and always delightful!
Sadly, Future Shock'd hasn't been updated in a couple of years, after bravely working through every single Future Shock in order - up til Prog 166 before the hiatus, at any rate.
You can't buy this one - it was a subscriber exclusive Art by Grant Perkins and Jamie Roberts |
Personal favourite:
Slashman, Kowlaski and Rat
Fittingly, written by Future Shock creator and ShockCount topper Steve Moore Art by Mike White. How high will he score on the art count?? |
* Tharg’s hardest-grafting script droid never to get even a
two-part series.
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