Thursday, December 17, 2020

No. 137 Dave Kendall

First Prog: 1370, but then not again ‘til 1946 (barring a couple of covers)
Latest Prog
: 2200

Total appearances: 63 and counting
-but not including his work on Psycho Killer for Toxic! comic.*

Can't get two more different artists than Dave Kendall and Dom Reardon -
and yet he's created a super evocative version of Demon Jenny.

  

Creator credits:
Fall of Deadworld
Blade Warrior

Other art credits:
Tales of Telguuth
Sinister Dexter

Notable character creations:
Fairfax
Psilence

 

Fairfax and Byke - two great tastes that go well together.
Words by Kek-W

Notable characteristics:
Fantasy and horror and fantasy horror. No offence to Mr Kendall, who may in fact have great range as an artist, but so far for 2000AD he’s found his niche and is sticking to it! But when you’re this bloody good at that thing, who cares?

 

Fantasy art as you like it.
Words by Steve Moore

He does an especially good line in gaunt faces, oppressive mists and people who don’t quite look they’re alright. (Although these are all such key features of his magnum opus that it’s not really fair to assume these are general characteristics of his work)

On Dave:
So yeah, as mentioned above Kendall’s association with 2000AD presumably began soon after his early work for Pat Mills in Toxic. But I guess he never got a break from Tharg for whatever reason, and I didn’t discover Toxic until the mid-2000s. I first encountered him in that other experimental wonder, the 2005 ‘new talent’ Winter Special. Not well-received at the time, in fact a decent crop of artists (if not writers) did get work in the Prog in due course. Kendall delivered Blade Warrior, a pretty generic fantasy/gore comic that showed him to be a considerable talent with a paintbrush, if perhaps not a master storyteller.

Blade Warrior - does what it says on the tin.
Words by Ben Counter**

But it had an air of professionalism that marked it above some of the other offerings in that special, and certainly when he appeared soon after on Tales of Telguuth you wouldn’t have marked him out as a ‘new’ artist. So yeah, I imagine that in that long gap after Psycho Killer he was painting and getting paid for it for and indeed improving his skills. If I had stopped to think about it, I might’ve wondered ‘this guy does good fantasy art, with violence. I guess he’s really hoping for a shot on Slaine…’ – but as it happened, the queue of wannabe Slaine artists was too long and too talented! (He did sneak in one cover for that most excellent fanzine, Zarjaz)

...the one where P. Mills let some fans have a play with his creations.
He should do that again!

And he produced a handful of fine covers for 2000AD, too.

Say what you will about Pat Mills's most recent iteration of Flesh,
Gorehead Rex is a great character.

It’s at this point that Kendall gets to have perhaps the single best ‘so how did you get to be an artist for 2000AD?’ story of all time – he had a dream. A nightmare, to be more precise. A nightmare of encountering the Dark Judges on Deadworld, which inspired him to paint some dread pictures and send them to Tharg, who was sufficiently moved to give this relatively untried artist a shot at the bigtime. And boy, did it succeed!

Paired with Kek-W, Kendall has gone on to craft this weird, horrible, tragic, compelling and downright oppressive horror mood piece called The Fall of Deadworld. Four one-off stories turned into a series that has become something of a relentless beast. For a fully-painted series that can, one imagines, only have one conclusion, it returns year on year with more and more episodes.

NB the Dark Judges themselves aren't in the seires very often,
which is a good thing.

Kind of the entire point of the series is to watch what happens as Judge Death and his cohort literally murder an entire planet full of people. So far, so bleak. But the genius of it is that such a project would take rather a long time, and in that time there are still-alive people who have their own stories to tell. And there’s a pretty fascinating world to tell those stories in. For a start, we’ve got a planet that is more or less dying. An air of disease and despair washes over everything, not least the plants, animals and insects, the result of some sort of Dark Judge horror. It’s also abundantly clear that the Justice Department, notionally the ruling power of the cities on this world, are beyond the point of being corrupt, and are actively involved in the business of killing.

 

This series really pushes your tolerance for beautiful depictions of horrific things.
I guess some readers might not like that? But boy does it work for me.
Words by Kek-W

So you get pockets of people doing what they can to escape from the notice of the Judges, and indeed throwing their lot in with organised criminals, who offer something of an alternative to Justice Dept in terms of keeping order and maintain some sort of functional society.

And then within Justice Dept itself you’ve got politics and manoeuvring and even perhaps a handful of ‘good’ people who are fighting to stay in control of their own minds. And throw into all that some AI and some psychic humans who may or may not be able to escape the reaches of Death’s own psychic attacks, and you can cling to some tiny vestiges of hope that this story isn’t necessarily going to end the same way that we know the original Judge Death’s story ended before he showed up in Mega City One.

Sister Psilence, one of the more upsetting character designs of the last few years...
Words by Kek-W

Now, in describing all this story-based stuff you might think I’m giving short shrift to Kendall, the artist. But he’s so integral to all those things I just listed you can’t ignore it. He paints the dread despair, he designs the weird (and decidedly not wonderful) characters, he injects those occasional bursts of hope, and he reminds you at all turns that it's not obvious who, is anybody, we readers should be rooting for. Rather than me rambling on, here's the good stuff: artwork scanned from top comics!

 

Intrigue!

Morality plays!

 

Action!

Death!

Introspection!
All words above by Kek-W

And let’s not forget what a stunning job he did/does on the original Four Dark Judges. Fear in particular has never felt so dreadful as under Kendall’s pen.

Proper chilling!
Words by Kek-W

So yeah, there’s more Deadworld to come, and likely they can spin it out til they get bored. I wonder what 2000AD property he might get to try next...?

 

More on Dave Kendall:
His website: https://www.rustybaby.com/
A recent episode of the Thrillcast (with Kek-W, too)

Personal favourites:
Dreams of Deadworld
Fall of Deadworld

Deadworld

I like Deadworld a lot, is what I'm saying.


 

*This days it doesn’t seem quite so odd, but when I first came across the idea of a comic strip featuring a protagonist who kills people and is simply called ‘Psycho Killer’ I thought it was proper hilarious. It’s pretty gnarly, too.

**I'm suddnely struck wdonering if this is a pseudonym along the lines of 'bean counter', as in, a hack writer doing this jonb for the money? Nah, can't be.


Sunday, December 13, 2020

No. 136 Phil Winslade

 

First Prog: 1374
Latest Prog: 1451

First Meg: 350
Latest Meg: 424

Total appearances: 64 and counting
Including a one-off in Revolver

Marshall Metta Lawson. Technically not Winslade's creation, but she
sure has built up a commanding presence under his pen...

Creator credits:
Lawless

Other art credits:
Judge Dredd

Winslade - the key 2000AD artist who never quite was.

Notable character creations:
Everyone
but the main character in Lawless -they're all great!

So many distinct players with distinct looks and personalities!
Words by Dan Abnett

 

Notable characteristics:
Leather clothing. Crowd scene. Elaborate backgrounds. Acting.

It's Winslade who first really made me think about the fact that Judges pull themselves into tight-fitting leather costumes every day. He makes that just a little bit fetishistic, which it definitely should be...
Words by Dan Abnett

On Phil:

Look, so Phil Winslade has a whole body of varied work behind him in his artistic career, but anyone coming to his work from a 2000AD perspective is really only here for one thing – Lawless! Beyond 50 episodes and a fair few covers for that series, he’s only ever contributed to the Prog a handful of times: one Dredd tale, one Dredd cover, and one Terror Tale.

Kinda jarring to see Winslade drawing Judges in colour, but he's no less good.
Anyone else getting mid-period Simon Coleby vibes?
Words by John Wagner


 
Already displaying that extreme attention to textural detail.
Words by Steve Moore

 They’re decent. And yes, at the very start of his career he had a slot in the first issue of Revolver, delivering some suitably art-y art to go along with a typically pretentious Revolver-style tale:

 

That weird mix of VERY good art with decent enoguh writing but an obscure sense of humour which defind early 90s 'comics from grown-ups'.
Words by Igor Goldkind.

But let’s get our Lawless love on! I mean, everybody loves Lawless, right? It’s kind of unassailably the best strip to run in the 30 year history of the Judge Dredd Megazine, barring perhaps America, and just maybe Devlin Waugh. And while Dan Abnett’s scripts and plots are a big part of that, frankly the thing that really grabs you by the lapels is Winslade’s art, which is just super detailed and gorgeous and consistently gobsmacking and has been in more issues than not since 2015. The man is a drawing machine! Especially when you consider just how much he pours into details such as hair braids, clothing folds, gorilla fur, rivets and rust patches on robots and machines, and those astonishing city scenes full of architectural detail.

Every page is an excuse to get lost in the art.
Words by Dan Abnett

I don’t often throw in comparisons to so-called fine art, but here’s a painting I’ve spent a weird amount of time with* that would not look at all out of place in an episode of Lawless:

 

Derby Day by William Powell Frith**

I kind of feel that rambling on more would be redundant. Instead, here’s a small selection of great, GREAT work from a great artist.

 


 



I don’t know that anyone wants Lawless to stop – especially after it kind of already came ot a satisfying(ish) conclusion a while back, before Abnett found a way to give it a whole new lease of life.

But, you know, I’d love to see Winslade have a crack at a 2000AD series, perhaps something super far future sci-fi ish like Full Tilt Boogie.

 

More on Phil Winslade:
You gotta listen to this Thrillcast where he and Dabnett discuss their ideas and methods and ambitions for Lawless.
And here's a Covers uncovered.

 

Personal favourites:
Lawless, by god

The Judges are bad enough, but the SJS, man, they're something else.
So much eeee-vil right here.
Words by Dan Abnett

 *thanks to a jigsaw puzzle I had as a child
**No relation, although by amusing coincidence my wife's maiden name is 'Powell'.

 


Thursday, December 10, 2020

No. 135 Abigail Bulmer and John Charles

Hero 135a Abigail Bulmer

First Prog: 1656
Latest Prog:
2170

First Meg: 293
Latest Meg: 294

Total appearances: 82 and counting
including one cover colour credit...

Under-art by Paul Marshall

and an illustration credit on the 2018 Sci-Fi Special

Colouring Credits:
Kingdom
Ten Seconders
Grey Area
Judge Dredd
Sinister Dexter
Rogue Trooper

On Abigail:
To be honest I knew I recognised the name when I saw the credit in my daughter's Phoenix, but couldn't place it for a while. She's the artist on Claire: Justice Ninja (she's a ninja of justice). She's also done a bit of art for Rebellion on things like the Cor/Buster Specials ( I think?) and indeed drew the Terror Tale within the 2018 Sci-Fi Special:

To me, this has a real Beano feel. Except, you know, eeeevil.
Words by Olivia Hicks

but otherwise her work for Tharg has been as a colourist. She's racked up quite the prog count, sneaking past my radar with a name change from Ryder to Bulmer. But, you know, more to the point she's been producing cracking good colours for a bunch of greats, including Staz Johnson, Patrick Goddard and Dan Cornwell. 

Early Grey Area really was very Grey.
Under-art by Patrick Goddard; Words by Dan Abnett

 
Using colour to set simple mood and lighting
Under-art by Andrew Currie; Words by Eddie Robson

Lots of choices being made, all adding to the apocalyptic mood!
Under-art by Dan Cornwell; Words by John Wagner

Going for the full Kirby vibes from this Super-hero dissertation
Under-art by Edmund Bagwell; Words by Rob Williams

Colouring for children's comics IS a different proposition.
This conveys maximum information on mood, setting and above all letting
readers know who the main character is!
Under-art by Nick Roche; Words by Cavan Scott
 

I'm gonna single out one collaboration in particular. Bulmer has lately been colouring on top of no less a colour-mad artist as Richard Elson, in the last few serieses of Kingdom. Elson's work, going back a long way (like, Shadows), has always been about a very specific colour palette, and it speaks highly of Bulmer that she's made the transition seemless.

Bulmer took over for the series when Gene was mostly on a space station.
Those greens and oranges give total Elson vibes, though.

Love the shine on Gene's blade-thingies!

The most recent series of Kingdom took the action back to Earth, with a different vibe.
Gene's altered attitude is reflected in the speckled look.
Uder-art by Richard Elson; Words by Dan Abnett

My guess is Bulmer's colours will be in heavy demand, and we may yet get some of her pencils in the Prog.


More on Abigail Bulmer:
Here's her website - sadly can;t find any interviews or anything fun like that.


Hero 135b John Charles

First Prog
: 1230
Latest Prog: 2200

First Meg: 392
Latest Meg: 422

Total appearances: 69 and counting

Art credits:
Four one-offs and a bunch of covers
-but the bulk of his work for Tharg has been as a colourist, notably working with Jake Lynch on Dredd, and Steve Yeowell on Sinister Dexter

On John:
John Charles had a brief but respectable career in the early days of the Rebellion take-over, producing a number of covers and one-off strip jobs that bear all the hallmarks of a new droid in the making.

Aliens with mean faces, in a bar fight. It's a 2000AD tradition.
Words by Mike Carey

 


 

I guess you could say it feels a little young, certainly compared to 2000AD of the era, but it’s good comics. I’m rather partial to this future policeman design from his first published 2000AD strip.

I think its the helmet and moustache that really tie it together.
Words by Steve Moore

And here he is having fun with giant apes in a more recent story from his 'second stint' as a 2000AD regular: 

Notable for NOT being in colour! Nice compositions, too.
Words by TC Eglington

For whatever reason, that didn’t work out, but then a decade later he came back, and is now a regular fixture on both Prog and Meg as one of Tharg’s go-to colouring droids. As with a lot of colourists he’s typically paired with the same artist, rather than being linked to a specific story, and as such it can be hard to parse what Charles is bringing to the strip vs what the illustrator has laid out for them.

But when one of those illustrators is Steve Yeowell, you’ve got to imagine there’s plenty of room for Charles to bring his own ideas. Clean lines, decent chunks of space to work with. Plus of course there’s the essence of Sinister Dexter to think of. It’s mostly set in Downlode, a city that is meant to be shiny and futuristic – except we’re often visiting the more run-down parts. Charles's colour work tends to be of 'colouring things in more or less as they look in real life' variety, rather than playing too much with mood lighting.

I miss Sinister's red gloves
Words by Dan Abnett; Illustration by Steve Yeowell

Then there’s the titular ‘heroes’, flamboyant peacocks the pair of them, who don’t mind flashing a whole lot of red to stand out from the greys around them (and to remind the readers of all the blood on their hands). Except when they're relaxing at home.

So relaxed! And also a very sparse apartment.
Words by Dan Abnett; Illustration by Steve Yeowell

The world of Dredd is not a million miles from this, as far as the City goes. But this time it’s the citizens who want to stick out, while the Judges stick to the bleak, functional colours of oppression an authority.

A super-detailed drawing requires a painstakingly detailed colour job.
Illustration by Mark Sexton; Words by Michael Carroll

 

The colour of evil is purple!
Illustration by Jake Lynch; Words by Arthur Wyatt

Here are your Mega citizens, of all species.
Illustration by PJ Holden; Words by Kenneth Niemand

Whether Charles will get more strip work remains to be seen. He’s certainly good at it, and his day job as a comics art teacher will surely give him lots to draw on! But for now he's being kept plenty busy as a coloursmith.

Just for fun, why not compare and contrast these two John Charles covers both focussing on good old Finnigan Sinister, from two very different eras of his strip.

 


 

Not just different eras of Sinister Dexter, also different eras of what was fashionable artwise, and cover-designwise. But however you cut it, I’d say Charles has got a lot better.

More on John Charles:

Twitter
A neat interview
here
Covers Uncovered  (for an IDW Dredd cover)
And a link to the course at
Staffordshire University where Charles has been (and still is?) a lecturer


Couldn't end without noting Charles's involvement in one of 2000AD's more recent bombshells... 

Not just one, but TWO of these people will die! Go read Prog 2200 if you haven't already...
Words by Dan Abnett; under-art by Steve Yeowell.